Lippincott L. Selling Art in Georgian London: The Rise of Arthur Pond. New Haven: Yale University Press, 1983.

Mattick P. Art in its Time: Theories and Practices of Modern Aesthetics. London: Routledge, 2003.

McClellan A. Edme Gersaint and the Marketing of Art in Eighteenth-Century Paris // Art Bulletin. September 1996.

Pears I. The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768. New Haven: Yale University Press, 1988.

SmentekK. Mariette and the Science of the Connoisseur in Eighteenth-Century Europe. Farnham: Ashgate Publishing, 2014.

Solkin D. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven: Yale University Press, 1993.

Stourton J., Sebag-Montefiore C. The British as Art Collectors from the Tudors to the Present. London: Scala Publishers, 2012.

The Development of the Art Market in England: Money as Muse, 1730-1900 / Ed. T. M Bayer, J. R. Page. London: Pickering and Chatto, 2011.

The Life and Letters of Gavin Hamilton / Ed. B. Cassidy. London; Turnhout: Brepols/Harvey Miller, 2011.

Vigee-Le Brun E. The Memoirs of Elisabeth Vigee-Le Brun / Trans. S. Evans. London: Camden Press, 1989.

Walpole H. Anecdotes of Painting in England. London: G. G. and J. Robinson, 1798.

3. Искусство спекуляции: Уильям Бьюкенен

Auctions, Agents and Dealers: The Mechanisms of the Art Market, 1660-1830 / Ed. J. Turpin, A. Warren. Oxford: Archeopress, 2007.

Buchanan W. Memoirs of Painting. London: R. Ackerman, 1824.

Farington J. The Farington Diary. 8 vols. London: Hutchinson & Co., 1922-1928.

Reitlinger G. The Economics of Taste: The Rise and Fall of Picture Prices, 1760-1960. London: Barrie and Rockliff, 1961. Sebag-Montefiore C. A Dynasty of Dealers: John Smith and successors, 1801-1924, a study of the art market in nineteenth-century London. Arundel: The Roxburghe Club, 2013.

Watson P. From Manet to Manhattan: the Rise of the Modern Art Market. London: Random House Publishing Group, 1992. William Buchanan and the Nineteenth-Century Art Trade: 100 Letters to his Agents in London and Italy / Ed. H Brigstocke. London: Paul Mellon Centre for Studies in British Art, 1982.

4. Эрнест Гамбар и рост популярности викторианского искусства

A Victorian Canvas: The Memoirs of W. P. Frith, RA / Ed. N. Wallis. London: Geoffrey Bles, 1957.

Flaubert G. L’Éducation Sentimentale. Paris: Michel Lévy, 1869.

Hamilton J. A Strange Business: Making Art and Money in Nineteenth-Century Britain. London: Atlantic, 2014.

Maas J. Gambart: Prince of the Victorian Art World. London: Barrie & Jenkins, 1975.

The Development of the Art Market in England: Money as Muse, 1730-1900 / Ed. T. M. Bayer, J. R. Page. London: Pickering and Chatto, 2011.

The Rise of the Modern Art Market in London, 1850-1939 / Ed. P. Fletcher, A. Helmreich. Manchester: Manchester Press, 2011.

5. Джозеф Дювин: коммерсант в амплуа художника

Behrman S. N. Duveen. London: Hamish Hamilton, 1952.

ClarkK. Another Part of the Wood: A Self-Portrait. London: Ballantine Publishing Group, 1974.

Cohen R. Bernard Berenson: A Life in the Picture Trade. New Haven: Yale University Press, 2013.

Fitz Roy C. The Rape of Europa: The Intriguing History of Titian’s Masterpiece. London, Bloomsbury Continuum, 2015. Fowles E. Memories of Duveen Brothers. London: Times Books, 1976.

Gimpel R. Diary of an Art Dealer / Trans. J. Rosenberg. London: Hodder & Stoughton, 1966.

Mary Berenson: A Self-Portrait from her Letters and Diaries / Ed. B. Strachey, J. Samuels. London: W. W. Norton and Co., 1985.

My Dear BB: The Letters of Bernard Berenson and Kenneth Clark, 1925-1959 / Ed. R. Cumming. New Haven: Yale Press, 2015.

Reitlinger G. The Economics of Taste: The Rise and Fall of Picture Prices, 1760-1960. London: Barrie and Rockliff, 1961. Secrest M. Duveen: A Life in Art. New York, Knopf, 2004.

Seligman G. Merchants of Art: Eighty Years of Professional Collecting. New York: Appleton-Century-Crofts, 1961.

Simpson C. Artful Partners: Bernard Berenson and Joseph Duveen. New York: Macmillan, 1986.

6. Династия Вильденстейн

Berggruen H. Highways and Byways. Yelverton Manor: Pilkington Press, 1998.

Goldstein M. Landscape with Figures: A History of Art Dealing in the United States. Oxford: Oxford University Press, 2000. Nicholas L. H. The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War. New York: Knopf, 1994.

Wildenstein D., Stavrides Y. Marchands d’Art. Paris: Plon, 1999.

7. Продавец невиданного и неслыханного: Поль Дюран-Рюэль

Assouline P. Discovering Impressionism: The Life of Paul Durand-Ruel. New York: The Vendome Press, 2004.

Distel A. Impressionism: The First Collectors. New York: Harry N. Abrams, 1990.

Goncourt E., Goncourt J. Pages from the Goncourt Journal. London: Penguin, 1984.

Hook P. The Ultimate Trophy: How the Impressionist Painting Conquered the World. London: Prestel Publishing, 2009. Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market / Ed. S. Patry. London: National Gallery Company, 2015.

MaupassantG. de. Bel-Ami. Paris: Victor-Havard, 1885.

Pissarro C. Letters to his Son Lucien. New York: Pantheon Books, 1943.

Paul Durand-Ruel: Memoirs of the First Impressionist Art Dealer / Ed. P.-L. Durand-Ruel, F. Durand-Ruel. Paris: Flammarion, 2014.

Renoir J. Renoir, My Father. London: Collins, 1962.

White H. C., White C. A. Canvases and Careers: Institutional Change in the French Painting World. New York: John Wiley & Sons, 1965.

8. Обогащение Амбруаза Воллара

Cassatt and her Circle: Selected Letters / Ed. N. M Matthews. New York: Abbeville Press, 1984.

Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde / R. A. Rabinow. New Haven: Press, 2006.

Feilchenfeldt W. By Appointment Only: Cézanne, van Gogh and Some Secrets of Art Dealing. London: Thames & Hudson, 2006.

Jensen R. Marketing Modernism in Fin-de-Siècle Europe. Princeton: Princeton University Press, 1994.