chitay-knigi.com » Разная литература » Кинематограф оттепели. Пространство, материальность, движение - Лида Укадерова

Шрифт:

-
+

Интервал:

-
+

Закладка:

Сделать
1 ... 47 48 49 50 51 52 53 54 55 ... 62
Перейти на страницу:
and Intersubjective Space // Feminist Studies / Critical Studies / ed. by T. de Lauretis. Bloomington: Indiana University Press, 1986. P. 78–101.

Benjamin 1999a – Benjamin W. The Arcades Project / trans. by H. Eiland and K. McLaughlin. Cambridge, MA: Belknap, 1999.

Benjamin 1999b – Benjamin W. The Lamp // W. Benjamin. Selected Writings: in 4 vols. Vol. 2. Pt. 2, 1931–1934 / ed. by M. Jennings, H. Eiland, and G. Smith; trans. by E. Ephcott and others. Cambridge, MA: Belknap, 1999. P. 691–693.

Blanchard 1981 – Blanchard M. On Still Life // Yale French Studies. 1981. № 61. P. 276–298.

Bolotova 2004 – Bolotova A. Colonization of Nature in the Soviet Union: State Ideology, Public Discourse, and the Experience of Geologists // Historical Social Research / Historische Sozialforschung. 2004. Vol. 29. № 3. P. 104–123.

Brook 2018 – Brook K. The Jews of Khazaria. Lanham, MD: Rowman & Littlefield, 2018.

Bruno 2002 – Bruno G. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

Bruno 2006 – Bruno G. Visual Studies: Four Takes on Spatial Turns // Journal of the Society of Architectural Historians. 2006. Vol. 65. № 1. P. 23–24.

Bryson 1990 – Bryson N. Looking at the Overlooked: Four Essays on Still Life Painting. London: Reaktion Books, 1990.

Buchli 1997 – Buchli V. Khrushchev, Modernism, and the Fight against Petit-bourgeois Consciousness in the Soviet Home // Journal of Design History. 1997. Vol. 10. № 2. P. 161–176.

Buck-Morss 1986 – Buck-Morss S. The Flaneur, the Sandwichman and the Whore: The Politics of Loitering // New German Critique. 1986. № 39. P. 99–140.

Buck-Morss 1991 – Buck-Morss S. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, MA: The MIT Press, 1991.

Buck-Morss 2002 – Buck-Morss S. Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge, MA: The MIT Press, 2002.

Bulgakowa 2013 – Bulgakowa O. Cine-Weathers: Soviet Thaw Cinema in the International Context // The Thaw: Soviet Society and Culture during the 1950s and 1960s / ed. by D. Kozlov and E. Gilburd. Toronto, ON: University of Toronto Press, 2013. P. 436–481.

Cavendish 2013 – Cavendish P. The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Oxford, UK: Berghahn Books, 2013.

Charney 1995 – Charney L. In a Moment: Film and the Philosophy of Modernity // Cinema and the Invention of Modern Life / ed. by L. Charney and V. Schwartz. Berkeley: University of California Press, 1995. P. 279–294.

Chion 1997 – Chion M. The Films of Jacques Tati / trans. by A. D’Alfonso. Toronto, ON: Guernica, 1997.

Chion 1999 – Chion M. The Voice in Cinema / trans. by C. Gorbman. New York: Columbia University Press, 1999.

Comolli 1965 – Comolli J.-L. Passés les cigognes // Cahiers du Cinéma. 1965. № 164. P. 83–84.

De Lauretis 1987 – De Lauretis T. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington: Indiana University Press, 1987.

DeBlasio 2007 – DeBlasio A. Choreographing Space, Time, and Dikovinki in the Films of Evgenii Bauer // The Russian Review. 2007. Vol. 66. № 4. P. 671–692.

Dickerman 2000 – Dickerman L. Camera Obscura: Socialist Realism in the Shadow of Photography // October. Summer 2000. Vol. 93. P. 138–153.

Doane 1980 – Doane M.-А. The Voice in the Cinema: The Articulation of Body and Space // Yale French Studies. 1980. № 60. P. 33–50.

Doane 2002 – Doane M.-А. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002.

Domínguez 2012 – Domínguez C. The Mammoth That Wouldn’t Die // Caviar with Rum: Cuba–USSR and the Post-Soviet Experience / ed. by J. Loss and J. M. Prieto. New York: Palgrave Macmillan, 2012. P. 109–117.

Ebert 1995 – Ebert. R. I Am Cuba // RogerEbert.com. 1995. December 08. URL: https://www.rogerebert.com/reviews/i-am-cuba-1995 (дата обращения: 25.04.2023).

Efimova 1997 – Efimova A. To Touch on the Raw: The Aesthetic Affections of Socialist Realism // Art Journal. Spring 1997. Vol. 56. № 1. P. 72–80.

Epstein 1982 – Epstein E. The Rise and Fall of Diamonds: A Shattering of a Brilliant Illusion. New York: Simon and Shuster, 1982.

Filtzer 2006 – Filtzer D. From Mobilized to Free Labour: De-Stalinization and the Changing Legal Status of Workers // The Dilemmas of De-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era / ed. by P. Jones. London: Routledge, 2006. P. 154–169.

Fisher 2005 – Fisher J. Wandering in/to the Rubble-Film: Filmic Flânerie and the Exploded Panorama after 1945 // German Quarterly. 2005. Vol. 78. № 4. P. 461–480.

Friedberg 1994 – Friedberg A. Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press, 1994.

Frisby 1994 – Frisby D. The Flâneur in Social Theory // TheFlâneur / ed. by K. Tester. London: Routledge, 1994. P. 81–110.

Gilburd 2013 – Gilburd E. The Revival of Soviet Internationalism in the Mid to Late 1950s // The Thaw: Soviet Society and Culture during the 1950s and 1960s / ed. by D. Kozlov and E. Gilburd. Toronto, ON: University of Toronto Press, 2013. P. 362–401.

Gleber 1999 – Gleber A. The Art of Taking a Walk: Flanerie, Literature, and Film in Weimar Culture. Princeton, NJ: Princeton University Press, 1999.

Goodwin 1993 – Goodwin J. Eisenstein, Cinema, and History. Champaign: University of Illinois Press, 1993.

Gorsuch 2006 – Gorsuch A. Time Travelers: Soviet Tourists to Eastern Europe // Turizm: The Russian and East European Tourist under Capitalism and Socialism / ed. by A. E. Gorsuch and D. P. Koenker. Ithaca, NY: Cornell University Press, 2006. P. 205–226.

Grosz 1995 – Grosz E. Space, Time, and Perversion: Essays on the Politics of Bodies. New York: Routledge, 1995.

Gunning 1986 – Gunning T. The Cinema of Attraction: Early Film, Its Spectator and the Avant-Garde // Wide Angle. 1986. Vol. 8. № 3–4. P. 63–70.

Gunning 2012 – Gunning T. Moving Away from the Index: Cinema and the Impression of Reality // Screen Dynamics / ed. by G. Koch, V. Pantenburg, and S. Rothöhler. Vienna: Synema, 2012. P. 42–60.

Guthman 1995 – Guthman E. Soviet Bird’s-Eye View of Cuba // San Francisco Chronicle. 1995. April 14.

Hansen 1999 – Hansen M. Benjamin and Cinema: Not a One-Way Street // Critical Inquiry. 1999. Vol. 25. № 2. P. 306–343.

Hanson 2003 – Hanson P. The Rise and Fall of the Soviet Economy: An Economic History of the USSR from 1945. London: Pearson, 2003.

Hixson 1997 – Hixson W. Parting the Curtain: Propaganda, Culture, and the Cold War, 1945–1961. New York: St. Martin’s Griffin, 1997.

Hornsby 2013 – Hornsby R. Protest, Reform, and Repression in Khrushchev’s Soviet Union. Cambridge: Cambridge University Press, 2013.

Huyssen 2004 – Huyssen, Andreas. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford, CA: Stanford University Press, 2003.

Ilič et al. 2004 – Women in the Khrushchev Era / ed. by M. Ilič, S. Reid, and L. Attwood. New York: Palgrave Macmillan, 2004.

Jameson 1988 – Jameson F. Periodizing the 60s // F. Jameson. The Ideologies of Theory, Essays 1971–1986: in 2 vols. Vol. 2, Syntax of History. Minneapolis: University of Minnesota Press, 1988. P. 178–208.

Jones 1990 – Jones R. The Soviet Concept of ‘Limited Sovereignty’ from

1 ... 47 48 49 50 51 52 53 54 55 ... 62
Перейти на страницу:

Комментарии
Минимальная длина комментария - 25 символов.
Комментариев еще нет. Будьте первым.