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210 Bonnet A.-M., Kopp-Schmidt G. Die Malerei der Deutschen Renaissance. Schirmer / Mosel. München, 2014.

211 Borchert T.-H. Le Siècle de Van Eyck. Le Monde méditerranéen et les Primitifs flamands 1430–1530. Ludion, 2002.

212 Borchert T.-H. Van Eyck to Durer. Early Netherlandish Painting & Central Europe 1430–1450. Lannoo. Tielt. 2010.

213 Bray X. Goya: The portraits. National Gallery Company, London. 2015.

214 Brinkman, Bodo Hexenlust und Sundenfall. Die seltsamen Phantasien des Hans Baldung Grien. Michael Imholf Verlag.2007.

215 Browning, Robert. The poetical works of Robert Browning. Oxford press. 1957.

216 Brown J. Francisco de Zurbaran. Harry N. Abrams inc. Publishers, NY. 1991.

217 Brugerolles E. Durer et son temps. De la Réforme à la guerre de Trente ans. Dessins allemands de l’École des beaux-arts. École Nationale Supérieure des Beaux-Arts. Paris, 2012.

218 Bücken V., Meuter de I. Bernard van Orley. Bozar books & Mardaga. Bruxelles. 2019.

219 Bussmann Georg. Manierismus im Spätwerk Hans Baldung Griens. Die Gemälde der zweiten Strassburger Zeit. Heidelberg, 1966.

220 Campbell L. Rogier van der Weyden y los reinos de la península Ibérica. Museo National del Prado. Madrid. 2015.

221 Campbell S. J. Cosmè Tura of Ferrara: Style, Politics, and the Renaissance City, 1450–1495. New Haven and London: Yale University Press, 1997.

222 Campbell S. J., Cole M. W. A new history of Italian renaissance art. Second edition. Thames & Hudson, London. 2017.

223 Cannon J. Religious poverty. Visual riches. Yale university press. New Haven & London. 2013.

224 Campos Boralevi, Lia L’esodo come paradigma politico Congresso Viaggio e politica, Firenze University Press, 2009.

225 Campos Boralevi, Lea. Biblical Language and the Republic of Hebrews in Holland in XVI and XVII Centuries.

226 Cuneaus, Petrus De Repubblica Hebraerorum, Centro Editoriale Toscano, 1999. Introduction by Lia Campos Boralevi.

227 Caravaggio & Bernini. Early Baroque in Rome. Exhibition catalogue. Kunsthistorisches museum, Wien. Rijksmuseum, Amsterdam. Hannibal Publishing, 2019.

228 Carpenter T. H. Art and Myth in Ancient Greece. London: Thames & Hudson, 2018.

229 Châtelet A. Early Dutch Painting: Painting in the northern Netherlands in the fifteenth century. Rizzoli. 1981.

230 Clark T. J. The absolute Bourgeois. Artists and Politics in France 1848–1851. Thanmes and Hudson. London 1973.

231 Cavalcaselle J. B., Crowe J. New history of Painting in Italy. John Murray, 1864.

232 Coelen van der P., Lammertse F. De ontdekking van het dagelijks leven van Bosch tot Bruegel. Museum Boijmans Van Beuningen, Rotterdam. 2015.

233 Cone M. C. French Modernisms: Perspectives on Art before, during and after Vichy. Cambridge University Press, 2001.

234 Cone, Michele C. French Art of the Present in Hitler’s Berlin. The Art Bulletin. Vol. 80, No. 3. Sep., 1998.

235 Crussard S. Gauguin. Premier itinéraire d’un sauvage. Wildenstein Institute. Paris. 2001.

236 Der Meister von Flémalle und Rogier van der Weyden. Staatliche Museen zu Berlin. Stadel Museum, Frankfurt am Main.

237 Dhanens E., Dijkstra J. Rogier de le Pasture van der Weyden. La Renaissance du Livre. 1999.

238 Domínguez M. Renaissance Ornithofauna. © Mètode 2014 – 47. About Nature – Issue 47. Autumn 2005.

239 Dummett J. Sicily: Island of Beauty and Conflict. Tauris Park, 2020.

240 Dvorak F. Hans Holbein le Jeune. Éditions Cercle D’art. Paris, 1987.

241 Emerson C. Olivier de La Marche and the Rhetoric of Fifteenth-Century Historiography. Boydell Press; First Edition, 2004.

242 Encyclopedia of Italian Rennaisance and Mannerism Art. Edited by Jane Turner. @ volums. Maximillan Reference Ltd. 2000.

243 Finaldi G. Jusepe de Ribera. The drawings. Catálogo rasonnado. Madrid, 2016.

244 François Ier – pouvoir et image. Bibliothèque nationale de France, 2015.

245 Friedlander M. From van Eyck to Bruegel. Phaidon, 1969.

246 Giannotti, Donato. Della. Repubbluica de’ Viniziani, 1526–1533.

247 Giannotti, Donato. Della Repubblica Fiorentina, 1531.

248 Gelderer, Martin van, Skinner, Quentin. Republicanism. A Shared European Heritage.. Cambridge University Press, 2002.

249 Gordon Bertram M. Collaborationism in France during the Second World War. Cornell University Press, Ithaca, N.Y., 1980.

250 Gudiol Ricart J. Bernardo Martorell. Instituto Diego Velázquez, del consejo superior de investigaciones científicas. Madrid, 1959.

251 Halmi, Nicholas The Very Model of a Modern Epic Poem University of Oxford 2010.

252 Hasenmueller McCorkel C. The Role of the Suspended Crown in Jan van Eyck›s Madonna and Chancellor Rolin. The Art Bulletin, Vol. 58, No. 4 (Dec., 1976), pp. 516–520.

253 Henry T. The life and art of Luca Signorelli. Yale University Press. New Haven and London. 2012.

254 Hobsbawm, Eric. Age of Extriems. Abacus pbl. 1995.

255 Thomas Hobbes, Leviathan or the matter, forme, & power of a common-wealth ecclesiastical and civil, Haskett, 1994.

256 Homburg C., Riopelle Ch. Gauguin portraits. Catalogue. National Gallery of Canada. Ottawa, 2019.

257 Hosle, Vittorio Globale Fliehkrafte. Munich Verlag Karl Alber. 2020.

258 Hosle, V. Morals and Politics, University of Notre Dame. Ind. USA 2004.

259 Hout Nico van. Rubens and His Legacy. ACC-distribution titles, 2014.

260 Hughes D. O. Distinguishing Signs: Ear-Rings, Jews and Franciscan Rhetoric in the Italian Renaissance City. Past & Present. No. 112 (Aug., 1986), pp. 3–59. Oxford University Press.

261 Hults L. C. Baldung’s Bewitched Groom Revisited: Artistic Temperament, Fantasy and the «Dream of Reason». The Sixteenth Century Journal, Vol. 15, No. 3 (Autumn, 1984), pp. 259–279.

262 Jacob-Friesen H., Jehle O. Hans Baldung Grien. Neue Perspektiven auf sein Werk. Deutscher kunstverlag, 2019.

263 Jean Fouquet, peintre, Bibliothèque nationale de France.

264 Jenkins C., et al. The Renaissance of etching. The Metropolitan Museum of Art. NY, 2019.

265 Jerome J. McGann, Don Juan in Context. Chicago. University of Chicago, 1976.

266 Kemperdick S., Roessler J. The Ghent Altarpiece by the Brothers van Eyck: History and Appraisal. Staatliche Museen zu Berlin. Michael Imhof Verlag. 2014.

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